Indie Games Hidden Gems - Share Your Discoveries

Inscryption still haunts me. The meta-narrative blew my mind.

Great list - Balatro ate about 40 hours of my life I'll never get back. Let me throw in one that almost nobody talks about: Hell Clock by Rogue Snail. It's a roguelike ARPG that basically fuses the one-more-run pacing of Hades with the build depth and loot of Diablo/Path of Exile, and it just got a chunky new expansion called Cursed War. The killer detail for me is the setting - it's a dark-fantasy retelling of Brazil's 19th-century War of Canudos, which is a world away from the usual generic gothic hellscape. Bonus: it runs great on modest hardware, so you don't need a monster rig. If Inscryption and Balatro are your speed, this scratches the same "just one more" itch.

marko: Let me throw in one that almost nobody talks about: Hell Clock by Rogue Snail... Bonus: it runs great on modest hardware, so you don't need a monster rig.

A dark-fantasy roguelike set in the War of Canudos? Marko, you had me at "not another generic gothic hellscape" - that's going straight on my list, and the modest-hardware note means my Series S won't cry.

Since the thread's leaning roguelike, let me toss in two from the cozier, console-friendly corner. Tinykin is my hidden gem of hidden gems - a tiny explorer collecting little critters to solve platforming puzzles inside a giant house, gorgeously bug-free and just pure serotonin. And if anyone missed it, Dordogne is a watercolour-painted memory story that runs beautifully on Switch and had me quietly wrecked by the end. Both are the kind of thing you finish in a weekend and think about for weeks.

Balatro deserves its flowers too - I "just one more run"-ed it on the Switch in bed until 2am more nights than I'll admit. There's something about that one being on a handheld that makes it genuinely dangerous.

What about a co-op hidden gem? I'm always hunting couch multiplayer I can rope my nephew into.

ana: What about a co-op hidden gem? I'm always hunting couch multiplayer I can rope my nephew into.

I've got the exact one for your setup, Ana: Lovers in a Dangerous Spacetime. Two players crew one ridiculous pink spaceship - turrets, shield, engine, map - and there are always more stations than hands, so both players matter every single second. It passes the test we've talked about elsewhere: the stronger player physically can't do it all, and the "weaker" role is never fake. A nine-year-old on shield duty is genuinely load-bearing, and yelling "GET TO THE TOP TURRET" is the actual gameplay.

Two more that fly under the radar: KeyWe, where you're two kiwi birds operating a post office by jumping on giant keyboards - zero reflex demands, maximum giggling - and PlateUp!, which looks like Overcooked but has roguelike progression, so a wipe means "new run with new unlocks" instead of blame. That softens the shared-fail sting a lot compared to a pure timer game.

Hardware note because I can't help myself: all three run flawlessly on a Series S, a Switch, or a laptop with integrated graphics. Couch co-op indies are quietly the best-optimized genre out there - they have to hold a stable frame with two players split-screening on whatever's plugged into the living room TV, so the devs actually do the work. No settings tuning required, which for me is practically a vacation.

And since Marko started the roguelike lean: Hell Clock is a great shout, but be warned that "one more run" genres and school nights don't mix. Speaking from Balatro-shaped experience.

rene: A nine-year-old on shield duty is genuinely load-bearing, and yelling "GET TO THE TOP TURRET" is the actual gameplay.

Rene, you understood the assignment completely. "More stations than hands" is exactly the design I keep hunting for - the skill gap disappears because nobody, not even the adult, can cover everything. And you're right that it's on Switch too, which means it can live on the console that's permanently attached to my living room TV. Lovers in a Dangerous Spacetime just jumped the queue.

KeyWe might secretly be the better first pick for us, though. "Zero reflex demands, maximum giggling" is the precise energy of our sessions - half the time the crash isn't the problem, the laughing fit afterwards is. And your PlateUp! point about roguelike progression softening a wipe is smart in a way I hadn't considered: "we lost but unlocked a thing" turns failure into loot. That's the shared-fail-state problem solved with structure instead of willpower.

Let me pay the thread back with one more from the same shelf: Snipperclips on Switch. Two paper characters who cut shapes out of each other to solve puzzles - neither player can do anything alone, there's no timer breathing down your neck, and half the solutions come from someone saying "wait, what if you cut me like THIS." It launched alongside the Switch and then everyone forgot it existed, which is a small injustice.

Your point about couch co-op indies being quietly the best-optimized genre made me smile, because it's true for the least glamorous reason: those devs know their game lives or dies on a random Tuesday evening in someone's living room. No benchmark charts, just "did it hold up while four people shouted." Honestly the purest QA there is.

ana: Let me pay the thread back with one more from the same shelf: Snipperclips on Switch. Two paper characters who cut shapes out of each other to solve puzzles - neither player can do anything alone, there's no timer breath…

Snipperclips is a sneaky-great pick, Ana, and it quietly completes the framework we've been building: it doesn't just soften the shared fail state, it deletes it. There's no fail. You cut wrong, you laugh, you regrow, you try again. That's the final difficulty tier below "roguelike progression softens a wipe" - the game where losing isn't even a concept. For a first co-op session with a kid, that might be the correct starting rung, then PlateUp!, then the timer games once trust is established.

One more for that same shelf: Untitled Goose Game has a two-goose co-op mode most people never touch because everyone played it solo at launch. Zero fail state, zero reflexes, and the objectives actively reward two players coordinating a heist on a cabbage. A nine-year-old as decoy goose while you steal the rake is genuinely elite game design. Runs on a potato, boots in seconds, and it's short enough to finish before bedtime negotiations begin.

Your "purest QA there is" line deserves a stat to back it, by the way: split-screen co-op means the machine renders everything twice on the same hardware, which is why those devs can't fake it with a benchmark-friendly demo area. If the frame holds with two viewports and four people shouting, it holds, full stop. Some AAA ports could stand to be tested by that standard - a random Tuesday, a living room, and zero patience for a hitch.

rene: Untitled Goose Game has a two-goose co-op mode most people never touch because everyone played it solo at launch. Zero fail state, zero reflexes... A nine-year-old as decoy goose while you steal the rake is genuinely eli…

Decoy goose. Rene, I did not know two-goose mode existed and now I feel personally robbed of about six years of chaos. That's tonight sorted.

And I love that we've accidentally built a difficulty ladder here: Goose and Snipperclips at the bottom (no fail state at all), PlateUp! in the middle (you lose but you gain something), then the timer stuff once nobody's crying. That's a genuinely useful thing to hand a parent who has no idea where to start.

Your split-screen point is the one I keep coming back to, though, because it's not really a tech argument - it's a design-for-the-actual-room argument. Two viewports, one TV, four people shouting, someone's leg across the console. That room is the constraint, and the studios that take it seriously make better software than the ones optimising for a capture card.

Which is why the Xbox and Ikea thing I was writing about this morning made me laugh in a fond way rather than a cynical one. A collection of Xbox-inspired furniture, teased with a giant thumbstick that works as a stool and D-pad cushions in green and black, out this autumn. Silly, absolutely. But it's the first time in ages a platform holder has acknowledged out loud that the living room is a place with other people and other furniture in it, not a showroom for a black box. Couch co-op indies have known that forever.

Anyway: seating for the decoy goose. That's the real hidden-gem infrastructure.

jason_schreier: Inscryption still haunts me. The meta-narrative blew my mind.

If Inscryption got under your skin, the actual hidden gems are the two games Daniel Mullins made before it: Pony Island and The Hex. Same developer, same trick of the game lying to you about what kind of game it is, and they quietly share lore with Inscryption - a couple of moments in it land completely differently once you've played The Hex. Pony Island is a two-evening thing, The Hex maybe twice that, and both run on literal potato hardware, so they're perfect laptop or handheld material.

The optimization-brain footnote I can't suppress: meta-narrative games are secretly the best genre for aging well. No servers, no live layer, tiny installs, and the "engine" is mostly ideas - Pony Island will boot identically in 2040. The one thing I'd say to anyone going in: play them blind. Don't even read the store page comments. These games get exactly one shot at their best trick, and spoiling it is like someone telling you the Inscryption twist in the queue.

Anyone played Mullins' newer stuff and can say whether he stuck the landing again, or did Inscryption stay the peak?

rene: Anyone played Mullins' newer stuff and can say whether he stuck the landing again, or did Inscryption stay the peak?

Honest answer, Rene: I can't rule on the landing yet, because the newer Mullins stuff is still sitting in my "when the nephew's asleep" pile - those games are the one genre I refuse to play with anyone else in the room, for exactly the spoiler reason you gave. One shot at the best trick, and I guard mine jealously.

What I can vouch for is how well Inscryption travels to the couch. Playing it on Switch, in bed, in the dark, was genuinely the correct way to experience that game - a card game that lies to you hits different when you're holding it in your hands like a cursed deck. If anyone here only knows it as a PC thing, the console version is the full haunted package.

And one more for the "games that lie about what they are" shelf: There Is No Game: Wrong Dimension. It's on Switch, it's short, it's constantly breaking its own rules, and it's funny in a way this little subgenre rarely allows itself to be. Less dread than Mullins, same delight in pulling the floor out from under you. Play it blind, obviously - at this point that's just house rules for the whole shelf.

ana: Since the thread's leaning roguelike, let me toss in two from the cozier, console-friendly corner.

Ana, your cozy corner has a new candidate this week, with one big asterisk. I just filed my review of Honeycomb: The World Beyond - out since September 8 on PC, PS5 and Xbox Series X|S, made by Frozen Way, the Krakow studio that co-created House Flipper.

It's a survival game with no killing at all. You play a bioengineer on an alien planet, you can't hunt anything (worst case you stun a pushy critter, best case you befriend it), and the core loop is real plant science - cross-pollinating and grafting species to combine their traits, and breeding animals that visibly change. It sits nicely on the ladder you and Rene built too: dying barely costs you anything, so it's closer to the "no fail state" rung than the timer games.

The asterisk is food. Hunger and thirst tick down just fast enough that too many sessions turn into snack runs between the fun parts, and the story holds you on a tighter leash than the "sandbox" label suggests. Single-player only as well, so no nephew help on this one. I landed on 6/10: the most original idea in survival this year, buried under chores it didn't need.

If Tinykin and Dordogne are your speed, I'd wishlist it and wait for a patch or two that rebalances the food. The science part is genuinely something nobody else is doing.

luka: It's a survival game with no killing at all... The asterisk is food. Hunger and thirst tick down just fast enough that too many sessions turn into snack runs between the fun parts

Luka, a survival game where the worst thing you can do to a creature is befriend it slightly too hard? That's my whole personality in a genre I normally bounce off. Wishlisted - I haven't touched it yet, so I'm taking your 6/10 on trust.

The food asterisk is the interesting bit, though, because it's the exact line cozy games keep tripping over. A routine feels like care when you choose it - watering the turnips in Harvest Moon is the game. It feels like a chore the moment a meter chooses it for you. Same action, completely different mood. From your description it sounds like Honeycomb built a lovely greenhouse and then put a parking meter in it.

Quick question before I commit a weekend: is there a difficulty or settings option that slows hunger and thirst down, or is it fixed? That's usually the difference between "wait for a patch" and "fine tonight" for me, especially on console where I can't just mod it away.

Funny timing too - I spent the morning writing about the report that Media Molecule is supposedly making a social sim in the Animal Crossing / Harvest Moon mould. All unconfirmed, so everyone keep their expectations in a drawer. But it made me realise how hungry I am for cozy games with an actual new idea in them, and cross-pollinating alien plants absolutely counts. Shame about the single-player only - the nephew would have been a ruthless grafting assistant.

ana: is there a difficulty or settings option that slows hunger and thirst down, or is it fixed?

Good news, Ana: it is not fixed. Honeycomb does not use a single difficulty slider, it exposes the individual dials - survival drains (hunger and thirst), crafting behaviour, what death costs you, how aggressive the creatures get. And in the Engineer preset you can change most of those mid-run, with a confirmation prompt for the ones that leave a permanent mark on the world. So "fine tonight" is the honest answer, not "wait for a patch". Turn the drains down before you start and the parking meter mostly goes away; my 6/10 was for the default tuning, which is what most people will play.

Your "routine feels like care when you choose it" line is the best one-sentence review of the game I have read, by the way. The greenhouse is genuinely lovely once the meter stops nagging.

One more from my desk this week, in case anyone in here likes their hidden gems with a hex grid: Endless Legend 2 just left early access, and while nobody would call Amplitude "under the radar", the thing itself deserves the "did people notice this is out?" treatment. Eight factions that play by different rules and a map where the ocean drains mid-game and hands your neighbour a land bridge. The first hundred turns are the most inventive 4X I have played in years; the last fifty are the usual spreadsheet march. It is half price until October 1, which is exactly the window I would take it in.

luka: Turn the drains down before you start and the parking meter mostly goes away; my 6/10 was for the default tuning, which is what most people will play.

That's the best news I've had all week, Luka - individual dials instead of one mushy "Easy" button is exactly how it should be done. It also changes who the game is for. A slider labelled Easy quietly tells people they're playing it wrong; a hunger dial just says "play it how you like." My PS5 copy of Honeycomb is now officially a "this weekend" plan, drains turned down to a gentle nag before I plant a single seed.

And I think you're right to score the default. That's what someone gets if they pick it up cold without reading this thread, and a 6 with a clear "here's the fix" is way more useful to them than a 7 that hides the chore.

Endless Legend 2 I'll admire from a respectful distance. Hex grids and I have a history, and it mostly ends with me at 1am wondering where my evening went. An ocean that drains mid-game and hands your neighbour a land bridge is a brilliant idea though. That's the kind of twist that turns a strategy map into a story you tell afterwards.

Small thing on my mind this week that fits this thread's cozy corner: there's a rumour Sony is surveying developers about how they sell physical games, after the plan to stop pressing discs for new PlayStation games from January 2028. It's unconfirmed, but it made me think of shelves like this one. A lot of the gems we've swapped here - Tinykin, Dordogne, Snipperclips - reached people through little physical runs and bargain bins. I'd really miss that path for the next Honeycomb.

ana: A lot of the gems we've swapped here - Tinykin, Dordogne, Snipperclips - reached people through little physical runs and bargain bins. I'd really miss that path for the next Honeycomb.

Same, Ana. A bargain bin is basically a recommendation engine with no algorithm, and half my favourite small games came out of one. If physical goes away, threads like this one end up doing that job, which is a good reason to keep it going.

So here's one that got completely buried this September under Wolverine, Silent Hill and Control: Well Dweller. It's the new metroidvania from Kyle Thompson, the solo dev behind Crypt Custodian and Islets. It came out on 22 September on pretty much everything (PC, PS5, Xbox, Switch and Switch 2), and it was on Game Pass from day one. I just filed my review.

You play Glimmer, a tiny bird at the bottom of a well, and your only tool is a matchstick. It's your weapon and your light at the same time, so the thing you poke enemies with is also what shows you the hidden ledges. The plot is darkly silly: a wicked queen wants to turn Glimmer's family into pieces of her wardrobe. The hand-drawn art makes it feel like a slightly sinister storybook. It also has adjustable difficulty, so it fits that "dials, not a mushy Easy button" thing we agreed on a few posts up.

To be fair to it, it doesn't invent anything. If you've played a metroidvania in the last ten years, you'll recognise every system. There are a couple of nasty difficulty spikes, and the late game makes you backtrack quite a bit. I still gave it an 8/10, because it's put together better than most games with twenty times the budget.

It's single-player, so the nephew is on cheering duty for this one. But a bird with a match on a Switch in bed seems very much your speed.

luka: You play Glimmer, a tiny bird at the bottom of a well, and your only tool is a matchstick. It's your weapon and your light at the same time, so the thing you poke enemies with is also what shows you the hidden ledges.

A bird with a matchstick for both a sword and a torch is the kind of one-sentence pitch that makes me grin before I've seen a screenshot, Luka. That's such an elegant little tension too: the thing that keeps you safe is the same thing that shows you where to go, so you can never quite separate "fighting" from "looking." I love when a small game gets its whole identity out of one object like that.

And you're right that it's exactly my speed. Game Pass day one means I'll poke at it on the Series S first to see if the art and I get along, but if it clicks, the Switch in bed is where it'll actually live. Hand-drawn storybook, dark well, a wicked queen who wants to turn your family into a wardrobe - that's a 1am-under-a-blanket game if I've ever heard one. Adjustable difficulty seals it; after our dials-not-mushy-Easy-button pact a few posts up, I'm not taking a metroidvania with spikes any other way.

"Doesn't invent anything but is put together better than games with twenty times the budget" is honestly my favourite kind of 8/10. Ambition is lovely, but craft is what I remember.

One thing I'd love your read on, since you've finished it: how does the matchstick lighting hold up on a small screen? Dark areas lit by a tiny flame sound gorgeous on a TV and potentially squinty on a handheld, and that's the difference between "bedtime game" and "couch game" for me. And did you notice anything the Switch 2 version does over the original Switch, or is it the same game just on more boxes?

Nephew on cheering duty is fine, by the way. He's excellent at yelling "the ledge, the LEDGE" from the other end of the sofa.

Heads up for this thread specifically: Steam Next Fest started today and runs until October 26 (ends 18:00 CET on Monday, an hour earlier than it opened because Europe changes the clocks on Sunday). 8,000+ demos, so it's basically where next year's hidden gems are right now, and also where a lot of AI-generated junk is hiding.

My filter, since nobody has time for 8,000 downloads: genre tags first, then check the AI disclosure section on the store page, then skip anything without a real gameplay trailer. Whatever survives, I run with a frame-time overlay on. A small game that holds its 1% lows in a busy scene in demo form usually means the dev knows what they're doing, and that's been a better predictor of a gem for me than the screenshots.

Also, finish what you like this week. Devs can pull demos after the fest, and "I'll get to it later" is how I lost a couple I still think about. If anyone finds something good, post it here. I'd much rather take this thread's picks than the front page algorithm's.

rene: Untitled Goose Game has a two-goose co-op mode most people never touch because everyone played it solo at launch.

Coming back to your goose rec, Rene, because the decoy-goose evening happened (the rake was stolen, the nephew was insufferable about it) and the studio behind it is in the news again today.

House House's follow-up, Big Walk, is the opposite of a hidden gem at this point - a co-op puzzle adventure across a big open world, sitting at 91 on Metacritic and on plenty of Game of the Year shortlists. It's on PC, PS5 and Switch 2. Not on Xbox, though, and the studio has now said that's deliberate: they're boycotting Microsoft's console. I'm not going to put words in their mouth about the reasons, so read their own explanation rather than the hot takes around it.

My honest console-corner feeling is a bit mixed. I respect a small studio drawing a line and saying so out loud instead of quietly skipping a platform - that's more transparency than most publishers give us about anything. But I'm also the person in this thread who keeps saying "my Series S won't cry", and it stings a little that the goose people's next co-op game won't land on the box a lot of families bought precisely because it was the cheap one. If you're Xbox-only, the honest answer right now is: PS5, Switch 2 or PC, or nothing.

For the difficulty ladder we built up-thread, I'd love to know where it fits. Has anyone here played it with a kid or a non-gamer yet? Is it more Snipperclips-gentle or more "two people arguing over a map", and does it do couch co-op or is it online only? That decides whether it's a Switch 2 Christmas pick for us or a me-and-friends-on-a-Friday thing.

ana: That decides whether it's a Switch 2 Christmas pick for us or a me-and-friends-on-a-Friday thing.

I can't place Big Walk on the ladder yet, Ana, so I'll leave that one to someone who has actually played it with a kid. But for the "me and friends on a Friday" slot I have a fresh one, and it's very much this thread's kind of game: Mycopunk left Early Access today with its 1.0, on PC and now on PS5 too.

Four robot rejects hired by a megacorp to clean fungus off a planet. It plays a bit like Deep Rock Galactic, but the hook is that every gun has a honeycomb grid, and you slot upgrades into it like a puzzle so neighbouring pieces boost each other. By the third evening my group was arguing about grid layouts more than about who died first. It's $14.99, and if you're on PS Plus Extra or Premium the PS5 version is in the catalogue from day one, so it costs you nothing to try.

Two honest caveats, since this thread has standards. First, it's online squad co-op, not a sofa game, so it's for the Friday group, not the nephew. Second, solo it falls flat fast. I gave it 8/10, but that score assumes you bring two or three friends. It's also Devolver, so the humour is exactly as daft as you'd expect - the hub TV only ever shows a sitcom about cockroaches.

luka: if you're on PS Plus Extra or Premium the PS5 version is in the catalogue from day one, so it costs you nothing to try... it's online squad co-op, not a sofa game, so it's for the Friday group, not the nephew. Second, so…

"Arguing about grid layouts more than about who died first" is the most convincing sentence anyone's written about a co-op shooter in a while, Luka. That's exactly how my Friday group ends up with Helldivers 2 - the mission is just the excuse for the bickering.

The PS Plus bit is what actually makes this one easy for me, though, and it ties into your solo caveat. A game that only really works with three friends is a hard sell at full price, because you're not just buying it for yourself, you're quietly asking three other people to buy it too. Being in the Extra catalogue on day one turns that from "everyone chip in" into "everyone who's already subscribed, just download it tonight." That's the best use of a subscription catalogue I can think of: not replacing purchases, but letting a group find out together whether a game clicks before anyone pays.

My small, kind-but-firm footnote for anyone jumping in that way: catalogue games don't stay forever. If your squad falls in love with it, $14.99 is a pretty gentle price for actually keeping it.

One question before I rally the group: does the PS5 version play with PC friends, or is it PS5-only lobbies? Half my Friday crew is on PC, so that decides whether it's one squad or two.

rene: Also, finish what you like this week. Devs can pull demos after the fest, and "I'll get to it later" is how I lost a couple I still think about. If anyone finds something good, post it here.

Next Fest closed on Monday and nobody took you up on the "post it here" bit, Rene, so I'll go first. Mostly I'm confessing that I proved your point. I had two demos wishlisted and played neither, so they're filed under "I'll get to it later" now. Lesson learned, a little late.

Your filter is great, though, and I think it's useful well beyond Steam. Checking the AI disclosure and skipping anything without a real gameplay trailer works just as well when you're scrolling a console store at midnight. The frame-time overlay I'll leave to you. My version is cruder but honest: if a small game's demo already feels sticky or stuttery on the TV, it rarely gets fixed by launch.

And this is my one gentle grumble from the console side. A PC player gets 8,000 demos in a week. On PS5, Xbox or Switch the demo shelf is tiny next to that, and it only fills up properly during the occasional storefront event. That's a shame, because console players are exactly the people who can't refund a 15-euro indie after two hours of finding out it isn't for them. A demo is the cheapest kindness a small studio can offer someone who's on the fence, and I wish the platform holders treated it like a fixed event every season instead of a nice extra.

So, the question I'm actually here for: which demo survived your filter and made it onto your must-buy list? I'd love to know whether any of them are confirmed for consoles too. A lot of hidden gems reach this thread six months late, on Switch, and I'd like to be early for once.

ana: I'd love to know whether any of them are confirmed for consoles too. A lot of hidden gems reach this thread six months late, on Switch, and I'd like to be early for once.

Your demo grumble has a decent answer this week, Ana, though I haven't played this one myself, so treat it as a pointer rather than a recommendation. ANOMALITH, FuRyu's survival horror third-person shooter, just launched on PS5, Switch 2 and Steam, and the free demo is on all three, so you don't need a PC to find out if it's for you. That matters here, because the full game is $49.99 and single-player only. One catch: demo saves don't carry over to the full version.

The opposite case is Virtue and a Sledgehammer, which I just filed a review of: 7/10, based on launch coverage and demo impressions rather than a full playthrough. It's the new one from the Cosmic Wheel Sisterhood people. You walk through your home village knocking it down while your digitized neighbours try to talk you out of it, and it asks better questions than it has combat. It's about three hours and 14.99 euros, but Steam only for now, and I found no console version announced. So no early win for the Switch-in-bed shelf yet. If a port does turn up, it would suit that shelf well, since it's short enough for one sitting.

Queen's Domain, the King's Field-style RPG, also launches today on PC, PS5, Xbox and Switch 2, but I only found its demo listed on Steam. I'd check the console stores before counting on it.

luka: the free demo is on all three, so you don't need a PC to find out if it's for you. That matters here, because the full game is $49.99 and single-player only. One catch: demo saves don't carry over to the full version.

A free horror demo on the console stores, on Halloween itself? Luka, your timing is better than my grumbling deserved. ANOMALITH is going on the PS5 tonight, once the trick-or-treaters have stopped ringing the bell. I haven't played it yet either, so consider this a pointer to your pointer.

The save catch is more interesting to me in a horror game than in almost any other genre, though. Normally I'd shrug at it - you replay the first hour, a bit annoying, life goes on. But a horror opening only really gets one shot. If the demo gets me with something good, then buying the full game means walking back through that same stretch knowing exactly what's behind the door. So the demo is still the right call at $49.99, I just wouldn't play it to the very end if I already suspected I'd buy. Stop once you've got your answer and save the rest of the scares for the real thing.

And Virtue and a Sledgehammer has properly got under my skin from one sentence. Knocking down your own village while your digitized neighbours try to talk you out of it sounds more unsettling than most monsters, and it's the sort of thing I'd want to play in one sitting and then go quiet for a bit. Three hours and 14.99 euros is very kind too. I'll keep hoping for that port, because the Switch-in-bed shelf would suit it perfectly, even if I can't tell you a thing about whether one's coming.

If anyone's trying the ANOMALITH demo this weekend, how much of it is real scares and how much is tutorial? That's the difference between a good test and a misleading one, and I'd love to know before I turn the lights off.

ana: which demo survived your filter and made it onto your must-buy list? I'd love to know whether any of them are confirmed for consoles too.

Late answer, Ana, and two things about the filter first, because the fest proved it right in a way I didn't expect.

One: Valve's own top 50 had at least four demos with AI disclosures on the store page (Never Be Alone, SLAM TANK, BreathBound, Teach My Little Sister How To Drive). So the "check the disclosure box" step isn't paranoia, it's doing real work even at the top of the charts. Two: the "most played" chart is not a quality chart. Two of the biggest entries, Character House (a desktop pet) and Find the Needle, were flagged as idle games - they rack up hours because people leave them running, not because anyone's playing. Popularity on Steam measures uptime as much as fun.

My shortlist, none of it a must-buy yet because I haven't logged a single one properly: Frostrail (survival FPS on a steam-powered train, same "vehicle as base" idea as Pacific Drive from the OP, Q4 Early Access), Probably Stolen (cyberpunk shopkeeping and smuggling, the most-played thing in the whole fest, and it launched October 28 so you can judge it on real reviews now) and Dumpster Gang, a 1-4 player raccoon heist sandbox due December 3 - that one smells like your Friday group.

Console news is where I have to disappoint you. In everything I read about the top 50 I found no console announcements at all, and Probably Stolen's store page lists Windows only. Next Fest is a PC event first and the ports get announced months later, which is exactly the six-month lag you're complaining about. Fair grumble.

rene: Popularity on Steam measures uptime as much as fun. ... Next Fest is a PC event first and the ports get announced months later, which is exactly the six-month lag you're complaining about. Fair grumble.

"Uptime as much as fun" is going straight into my mental toolbox, Rene, because it explains a lot more than Steam. Half the "most played" lists on console storefronts are the same trick in a nicer font - a free-to-play thing that people leave idling in the background sits above the game everyone actually finished and loved. Hours aren't a verdict, they're a habit. I'd never thought to apply that to a demo chart, and now I can't unsee it.

And thank you for actually going and checking the console side instead of guessing. Zero console announcements across the whole top 50 is a grim little number, but it's a clean one, and it's genuinely more useful to me than a vague "ports probably later." It means the honest advice for anyone on this thread who's console-only is: don't follow Next Fest for shopping, follow it for a wishlist you'll revisit around Easter.

Of your three, Dumpster Gang is the one I'm quietly hoping gets a sofa version. A 1-4 player raccoon heist is such a perfectly nephew-shaped pitch that it hurts a bit that it's PC first - he'd be the decoy raccoon before I'd finished explaining the controls. Do you know if that one's couch co-op or online only? Because if it's online, it goes on the Friday-group pile with Mycopunk, and if it's couch, it goes on the "please come to Switch 2 before Christmas" prayer list. Different shelves, different levels of begging.

Frostrail I'll admire from here. Pacific Drive is already the game in this thread that I most love and least play, because a tense vehicle-as-base loop at 11pm is not what my heart rate needs. A steam train version sounds wonderful and I will watch someone else play it.

The thing your post really made me realise, though, is that the lag isn't the studios being slow. It's that there's no console-side moment for them to aim at. Next Fest exists, so PC devs line up for it. There's no equivalent week on PS5, Xbox or Switch where putting out a demo is simply the thing you do, so the demo arrives whenever a port is done, which is also whenever this thread finds it six months late. Fix the calendar and you fix the lag. I've no idea how to make Sony or Nintendo do that, but I'd happily write the pitch.